Greetings, Dear One, 'tis we.
Having heard the single off of this LP about two monts prior to its release, I said "Gee wiz, the greatest band since sliced bread sure has changed their sound a little. The vocals are clearly different and the production is a bit more polished. Excuse me while I grab the bits of my dick off the floor, it seems to have exploded while I was auditioning this." The single ruled, but not in a particularly Satan's Satyrs way, it was a bit different to what we were used to hearing from them, so the main question was: "Would they be able to pull it off?".
You bet your sweet ass.
When the album was uploaded to the Internet here and I finally got to listen to it, I found it to be... just so good. Like, everything you could ever want from a promising band's sophomore record: even better riffs, even better songwriting and experimenting with all sorts of vibes. I can't stress enough on how good the riffs are on this LP, they just keen delivering and delivering from the minute you drop the needle. And the vocals are just something very unique here, and by that I mean that you either learn to love the hell out of them, or they are a dealbreaker for you (yet so far I haven't heard anyone complain). Claythanas is just one of the most talented musicians out there and a personal hero for me. If my band is ever going places, it's going to be stepping on the steps of Satan's Satyrs, which means getting well-known in the underground by means of stupefying riffage, great songwriting and no-trend vintage vibes.
The only thing this album lacks a little for me is the cover art. I love the skeleton thing, but given the music we're dealing with here and the always-awesome previous SS artworks, this one could have used a little more sass in my opinion. Still, watch out freaks and fiends, we're dealing with one of the best albums of 2014.