I’ve already talked about the void White Stripes’s breakup
left in my life – you’ll have to do some google translating there- so I won’t
stress this subject anymore. Not being
too interested in Jack White’s side projects, I was anxiously waiting for him
to take the next obvious step in his career:
releasing his debut solo record. And it came… but I didin’t. Hype is a bitch and, apparently, I can’t get past my stupid habit of getting overwhelmed
by it.
So here’s Blunderbluss, Jack White’s marvelous 2012 debut
that pissed me off so bad that I considered having myself castrated out of
frustration. Don’t get me wrong, I don’t dislike
it, but I don’t fancy it very much either – it has a shitload of annoying gaps that I can’t believe such a
brilliant artist like Jack White could’ve overlooked.
Bluderbuss opens with Missing
Pieces, a nice piece of energetic bluesy groove that makes for an
interesting start. Though a pretty darn tight track, I couldn’t shake the
feeling that something bad is going to happen.
The following track offered me the blessing of a temporary relief : Sixteen Saltines reminisces Blue Orchid, one of White Stripe’s best
work and probably the most played song on my mobile phone. Freedom at 21 is some sort of hybrid between
rock, hip hop and dubstep (I’m dead serious here, listen to the drums) that I
forgot about the second it ended.
Sadly, after Love
Interruption shit goes reeeally downhill. It’s like Jack White decided to give all he
had in the first part of the album and go lazy on the rest because, hey, people
love him so much that they’ll forget his lazy fucking ass. Remember that energy
I was babbling about earlier? Gone. How about that Blue Ochidish track, will the next songs follow in its footsteps
and turn me into a trembling mass of dancing protoplasm? Nope. What we get is a
steamy pile of boring shit, one poorly written ballad followed by the other,
treating with original subjects such as love, relationships, loneliness and so
on. Hypocritical Kiss sounds like the
song I wrote for my kindergarten sweetheart, Blunderbuss
is a bland piano-ballad that bored me so hard I actually went to study for my
final exams, and Weep Themselves to Sleep is… uhm, it’s surprisingly decent.
Jack’s voice sounds good, his lyrical skills have improved… Hey, maybe it’s not so bad after all. Granted,
it’s his first solo alb----- O SHIT, PLEASE, NOT I’M SHAKIN’, OH GOD THE TERROR.
OOOH I'M SHAKIIIIN' |
Which takes me to my final annoyances : it lacks focus and
it’s confusing as fuck. It’s not a ballad album, nor a basic alternative-blues
one. The distorted guitars and the occasional frenetic drumming exclude the
possible affiliation to the pop genre, obviously, and I can’t label it as hip
hop either because, duh, Jack’s scheduled meeting with RZA got on some eldritch
abomination’s nerves and never happened. It’s a fucking mess and I don’t know
what to make of it. Is it good, is it bad? Do I need to hire a team of experts
to decide on its quality? Make this the question of the week. I have a ferocious headache to attend to.
Overall, Blunderbuss feels like an overloaded suitcase; no
matter how hard you try to stuff your things in there, both useful and
useless, at some point your
dildo is gonna show up at the luggage control and make you the laughing stock
of the janitors.
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