Once upon
a time there was
A music
blog born from the stars
That
treated music with fair game,
Yet
treated readers with no shame.
And thus
they wrote, ‘bout this and that
‘Bout
junk food and some indie stuff,
They
spoke the truth of deathly rants
And kept
the light on in the dark.
Amidst
all this there came a man
To enter
as a joyful fan
Of music,
and its countless faults
Within
the world of music folks.
He chose
to write of great LP’s,
Of
doubtful acts with strong EP’s,
And thus
present them to the world
As
straight A’s albums, truth be told.
But then
out of the blue he thought
‘Why not
review something that’s not
So damn
obscure?’, and for a change
To try
his hand at fortune/fame.
And so he
chose to speak of new,
Of
BTBAM’s latest attempt
At rocking
prog with sci-fi hooks
To keep
the listener in loops.
For hours
on he sat alone
Absorbing
sounds of truth galore
And kept
his ears and mind awake
For music
there to sink, then sore.
He tried
to find meaning behind
The
mindless riffs and off-tuned chords
While in
the background neurons died
From lack
of bashing on them toms.
There
were some glimpses of cool thoughts,
Some fleeting
hints of genie minds,
Yet for
the most part it all felt
Like
jumbled notes thrown in a box.
He got so
mad he almost screamed
Because
these guys have talent, still
But never
does this album feel
Like
music written from the heart.
And so
our cvlt reviewer chose
To go
back to the days of old,
Back to
the days of Mordecai
And
Shevanel taking the hold.
And you,
the readers, keep in mind
That not
all new is good and gold
And while
this year did have its share,
This
Parallax won’t rock your boat.
Why annoying? :P
ReplyDeleteIt's one of those albums that leaves the impression that it could be great, yet it comes out like a big old garbled mess of ideas. Somewhat like Opeth's Heritage.
DeleteOh and let's not forget, there's a limit to how many minutes of girly clean vocals can be included in a BTBAM album, and this one definitely crossed over to the other side.
Hehe, my opinion is totally different; The Parallax II it's my favorite BTBAM album, while the highly acclaimed Colors is on the third or forth place. To be honest I don't mind the 'girly clean vocals', but hey, you're talking with a fan of Opeth's Heritage, so...
DeleteWe seem to be at different ends. With regards to BTBAM, I always go for The Silent Circus, while with Opeth I choose Morningrise (coincidentally, they're both sophomore releases).
DeleteBeauty is in the eye of the beholder, as always.