I’ll
probably have to resort to hurting myself physically, due process of just
finding out about this record. Apparently, it was released in May last year,
yet it seems to have slipped by me. I could argue that 1) the lack of time and
2) the shift of focus to discovering new bands have both taken me away from
following up to news about Opeth and PT related stuff, but I’ll probably fail
miserably, since the link to Storm Corrosion’s release has been up there on the
front page of PT’s website for quite some time, I presume. Me, I just found out
about it by following a result way off from the first pages of an obscure
google search.
But
that’s just life and Murphy’s laws, I think.
With
regards to Opeth, you could call me an ‘opethian’ of sorts. As the years went
by, Mikael Åkerfeldt & Co. have slowly climbed up my ladder of favorite
bands and at this current stand-point in time, I rank them as #1. I even have
this
to prove it. Porcupine Tree is also very high up in the charts, the
first half of their discography have accumulated, along-side Opeth’s releases,
probably hundreds of hours of airtime. Yet, the latest musical offerings of the
two bands have fallen short of my expectations, not so much in style but as in
a conceptually flawed execution. Steven Wilson’s ‘Grace for Drowning’ did
however turn the tide back on, yet there is still something missing.
With all
that said and done, I am left with actually saying something about this colab
work of sorts of the two ‘prog’ frontmen of now and all procrastinating set
aside, the truth is that I don’t have anything relevant to say about it. The
minimalistic approach to this album seems to be what lies at fault here (at
least for me). Sure, Steven has dabbled in this sort of territory before, but
Mikael is treading on thin water, his guitar work (while brilliant as always)
doesn’t have any ‘oomph’ to it, therefore doesn’t put out any kind of emotion. It
just feels flat and under-used. Gavin
Harrison’s drum solo at the end of Hag helps move things up a notch, but I feel
it’s too less (and I would have said too late if it were the closing track of
the album). The only song that caught my
interest for the full runtime was the title track (I’m gonna set aside the
whole ‘identical song, album, band name’
rant), but one out of six is pretty slim percentage overall if you ask me.
With that
being said, I’m not going to rate this album, it would do it injustice I think.
You’ll have to listen to it for yourself and decide whether it’s your coup of
tea or not. I would have been more hyped if this would have came out in the
90’s period of the two bands, but taking in consideration their
stylistic appearance of now, that measure of fandom falls a bit short from what
it could be.
As for
me, I’ll be awaiting the new solo release from Steven Wilson (set for
February), so expect a review of it, from either myself or Marco I presume, as soon as it’s humanly possible.
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